The eight computational poems featured in micro / cosmo / logic were hand-coded by the artist, each one within 2048 bytes of HTML, CSS, and JavaScript, originally for publication by Taper, a browser-based literary journal for tiny computational pieces. The works draw from the ba gua, the phases of the moon, shapeshifting nine-tailed foxes, star charts, wheels of fortune, incense offerings, mourning rituals, wind phones, the minor arcana, zodiacal calendars, lyric games, instructional performances, naturalist field observations, ambient soundscapes, mythical bestiaries, and the archetype of the trickster, engaging computational logic to express durational, divinatory, and devotional experience. Altered for visual cohesion, adapted to loop at varying frequencies, and arranged on a sculpture of monitors for exhibition in ./local_memory: soft systems at Gray Area, the poems map out the artist’s personal cosmology of space and time, land and sky, mythology and ecology, and across living and spirit realms.